When Father John O’Brien was assigned the pastorate
of Saint Patrick Parish he knew the assignment would not be an easy one. The previous pastor had lasted about a year
and asked to be removed. Let's just say life in the Acre was not easy for him. It was 1848 and
the famine Irish were filling the tenements and hovels of Lowell’s Acre
neighborhood. Just a few doors down from
St. Pat’s could be found St. Mary’s church.
Was there really a need for two churches within yards from each other, or
were other things going on within the tight knit, but often divided,
community? What he found when he arrived
in Lowell was not good. Those who
remained at St Pat’s were very much the poorest of the poor. The neighborhood was riddled with tenements
and shanties. The odors of open garbage
and sewers permeated the mishmash of what was supposed to be streets, but looked more like
alleys. Most dwellings were overcrowded
with more new people arriving daily. On
top of all this the church was in poor condition. Though less than 20 years old there were
problems with the building and with a growing population, Father John, as he was
lovingly known to his congregation, knew he needed to do something grand to
unite his people and give them a vision of what could be done.
He came up with a plan, actually several
plans. He would eventually build a
school for the neighborhood children.
Education would lead the Irish into the mainstream. He also would want something done about
health care; a place where the sick could go to be cared for. But his piece de resistance would be a new
church. Not another small wooden one,
but one that would announce to Lowell and the growing anti-Irish bigots that
they were here to stay. He would build
the grandest building Lowell could claim.
There was only one man whom he could entrust to do the job- the Irish
born architect, Patrick Charles Keely.
Courtesy: The Keely Society |
Coincidentally, or was it, both men were born in
County Tipperary, but it was Keely’s growing reputation as an ecclesiastical
architect and builder that fostered his reputation. By the end of his life he would design over
600 churches and hundreds more rectories, schools, and municipal building up and
down the east coast and west to Indiana.
He was especially well known in the Archdiocese of Boston as the designer
of the Cathedral of the Holy Cross. At
the time he visited Lowell, he was also working on the Church of the Immaculate
Conception in Albany, New York. The two
churches look amazingly similar with mild differences. This was a method employed by Keely as his
popularity grew. Each church had its own
unique style while maintaining a basic set of plans. This saved the parish money by using and
reusing design plans with minimal changes.
Keely would have left the plans with the church. In St Pat’s case these went missing decades
ago. We are told that Keely made at
least one visit to the Acre site, and the Sisters of Notre Dame employed him to
draw up plans for their own school which needed expansion. In the spring of 1870, he designed a new
chapel for the Sisters at the cost of $5000.
The Messenger, 1907 |
Keely’s Irish birth; his strong Catholic faith; his practice of hiring locals; and his reputation for honesty made him the first choice for many parishes and bishops. He is buried in Holy Cross Cemetery in Brooklyn, NY with a rather plain marker with just his last name to mark his resting place. He worked right up to the end, still refining plans and details until his death in 1879.